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Editor-in-chief, Travel writer (International Press Japan Co. -- Philippine Digest Magazine); Intern (The Manila Times Publishing Corp.); Managing Editor (The Sentinel, Lyceum); News Editor (The Filters, BHS); 8th placer (News Writing, DSSPC)

Friday, 8 August 2008

Respecting the Philippine Flag

Sa isang undoukai (exercise meet), tanong ng isang Pilipina sa Nihonggo, "Bakit walang Philippine flag na nakasabit kasama ng ibang flags?" sagot ng kausap na Hapones, "Pumunta ka sa mga Philippine pub, malalaking flags ang nakasabit doon."

Kung ikaw ay isang Pilipino, hindi ka ba maiinsulto?

Simula ng si Juan dela Cruz ay tumapak sa paaralan ay itinuro na sa kanya ng mga guro ang kahulugan at kahalagahan ng pambansang watawat. At sa paglipas ng panahon ay tumatak sa kanyang puso't isipan ang respeto at pagpapahalagang nararapat ibigay para rito. Tuwing may flag ceremony at mahahalagang okasyon ay binibigyang-pugay niya ito sapagkat para sa kanya, ito ang tunay na simbolo ng kasarinlan ng kanyang bansa at pagka-Pilipino.

Nakasaad sa Republic Act 8491 o ang Flag Heraldic Code of the Philippines ang tamang pangangalaga sa pambansang watawat at ang mga bagay na ipinagbabawal gawin dito. Ilan sa mga hindi pinahihintulutan ng batas ay ang paglibak, paggamit bilang dekorasyon o tatak ng isang produkto at paglalagay sa mga di kaaya-ayang lugar tulad ng mga clubs na karaniwan nang tanawin sa mga Philippine establishments dito sa Japan.

Ayon kay Cultural and Filipino Community Affairs Vice Consul Anna De Vera, sakop ng batas na ito ang mga Philippine establishments na nag-ooperate dito sa Japan subalit wala pang natatanggap na reklamo ang embahada hinggil sa isyung ito.

"Every Filipino is responsible in treating our flag with high respect. As of this moment, we don't have any system to monitor this situation but every time we get to see Philippine establishments that display worn out flags, we immediately call the attention of the owners," dagdag pa ni De Vera.

Marami sa mga may-ari ng Philippine stores, restaurants at night clubs ang kulang o walang kaalaman ukol sa batas na ito kaya naman naglipana ang mga flag displays sa kani-kanilang mga establisimyento.

"Hindi ko alam na may ganyan palang batas. Pero nilagay ko lang naman 'yan para malaman ng mga customers, Pilipino at Hapon, na ito ay isang Philippine establishment," pahayag ni Jenny, may-ari ng isang tindahan.

Sa ganitong sitwasyon kung saan kulang ang kaalaman ng mga may-ari ng mga Philippine establishments at wala pang mainam na solusyon ang embahada ukol sa isyung ito, mainam na maging responsable na lamang ang mga may-ari ng mga nasabing establisimyento sa kanilang ginagawang pag-display lalo na ng mga marurumi at gula-gulanit na watawat ng Pilipinas. Mas makabubuting sila'y mag-isip na lamang ng ibang paraan upang maipahatid sa kanilang mga parokyano na sila ay isang Philippine establishment nang sa gayon ay hindi naman patuloy na bumaba at malibak ang pagkakakilanlan sa mga Pilipino. Sa mga kinauukulan naman, nawa'y may hakbang nang maipatupad para sa ikalulutas ng suliraning ito. Ang buong Filipino community ay maghihintay sa inyong gagawing aksyon.

*published in the September '08 issue of "Beyond the Horizon", Philippine Digest*
*photo by Florenda Corpuz*
*photo caption: A worn out flag displayed outside a Philippine store.*

Thursday, 7 August 2008

Tokyo Tower - Towering Landmark of Tokyo

Soaring high in the heart of Shiba-Koen in Minato-ku, the grand stronghold of Tokyo Tower serves as an emblem of Japan's economic rebirth and global aspirations after massive wartime destructions.

Completed in 1958 by the Takenaka Corporation at a cost of 2.8 billion yen, Tokyo Tower is a proud member of the World Federation of Great Towers and is officially considered as the world's tallest self-supporting steel tower with a height of 333 meters and a weight of 4,000 tons. It is 13 meters higher and 3,000 tons lighter than its model, the Eiffel Tower in Paris which stands 320 meters and weighs 7,000 tons.

The entire body of the Tokyo Tower is coated with 28,000 liters of orange and white paint in compliance to the Civil Aeronautic Law and is installed with 176 floodlights in various parts for illumination purposes. It also has a lightning rod on its top.

Designed for radio and television transmission, the Tokyo Tower sends out 24 broadcast waves, 14 analog and 10 digital, including those of known media outfits like NHK, TV Asahi, Fuji TV, TBS, Tokyo FM and J-Wave.

Aside from being the broadcast transmitter of most stations in the metropolis, Tokyo Tower is also a major tourist enticement which stations a 4-story recreational center called Foot Town (open all-year round, from 9 am to 10 pm) which can be found beneath the tower. This leisure hub houses several attractions including two observation decks, the Main Observatory located at 150 meters above the ground and the Special Observatory at 250 meters. These galleries provide a 360 degree panoramic view of the whole Kanto scene and Tokyo surroundings, including Mt. Tsukuba and Tokyo Disney Resort in the east; Rainbow Bridge and Yokohama's Landmark Tower in the south; Mt. Fuji in the west; and Imperial Palace in the north.

Also there are museums and amusement parks that proliferate inside Foot Town like the Wax Museum, Space Wax, Guinness World Records Museum, Trick Art Gallery, Aquarium Gallery, and Mysterious Walking Zone; souvenir shops -- Tokyo Souvenir Shop Town and Tokio 333; restaurants and food courts that offer Japanese, Chinese and western cuisines and even coffee shops and ice cream parlors.

Besides being The landmark, Tokyo Tower is also a popular icon for animes such as Sailor Moon and Digimon and locations to climatic battles between Godzilla, Mothra and King Kong Escapes.

Another captivating feature of Tokyo Tower that often delights many sightseers is its lighting, accentuating the city's already breathtaking nocturnal skyline. It is illuminated with orange light in winter and white incandescent light in summer and is changed during special events.
The Tokyo Tower also houses a system for detecting earthquakes.
Ticket prices in the Main Observatory are 820 yen for adults, 460/310 yen for children; Special Observatory, 600 yen for adults, 400/350 yen for children. While separate fees apply for other attractions, still a lot of people are taking the long lines and are oblivious in spending their money just to try this not to be missed experience.

How to Get There:

Tokyo Tower is a 5-minute walk from Akabanebashi Station on the Oedo Line; 6-minute walk from Onarimon Station (Exit No. A1) on the Mita Line and; 15-minute walk from Hamamatsucho Station (North Exit) on the JR Yamate Line.

*published in the September '08 issue of "Let's Tour Tokyo", Philippine Digest*
*photos by Din Eugenio*

Saturday, 2 August 2008

Filipino Teachers: Making A Difference

Like the great thinkers Plato and Aristotle, these dedicated Filipino teachers named Ninfa Sasaki and Michiko Kurane have been doing their utmost to disseminate education by practicing one of the noblest, if not the noblest, profession in the world--- teaching.

Both are working as Assistant Language Teachers (ALT) of English in two different educational institutions here in Japan.

Ninfa-sensei is an alumna of the Philippines’ University of Sto. Tomas with a degree in Chemical Engineering. Right after graduation she married her Japanese boyfriend, an executive of Kawasaki Steel. She lives with her family here in Utsunomiya City, Tochigi, Japan and serves as an ALT to Grades 1-6 ofAkutsu Elementary School. Even having her hands full with a family of 6, she has found the time to teach children, besides being the leader of the Filipino community in Utsunomiya. She has also inspired the Rotarians in Utsunomiya to visit, to get to know Cagayan de Oro her ancestral home, and to help the city in its civic projects. And to keep in shape, she is into marathon running and has joined several marathon races in Tochigi. In short, Ninfa-sensei is a well-rounded human being, worthy to teach the young the tenets of a fruitful life. She teaches not only by words, but also by example.

Michiko-sensei, on the other hand, is a licensed teacher in the Philippines. Aside from her degree in Education, she also spent a year in the Graduate school and has been in the teaching profession for more than a decade now. After her long working stint in her native land, she decided to further broaden her horizon by imparting her knowledge as an ALT to Grades 1-6 of Tsukuda Elementary School.

As Assistant Language Teachers, they are assigned to local boards of education and carry out their duties including assistance in classes taught by Japanese foreign language teachers, assistance in foreign language conversation training, assistance in the preparation of materials for teaching a foreign language, assistance in the language training of Japanese teachers of foreign language,engagement in local international exchange activities and other duties specified by the contracting organization, to name a few. These are all under the guidance of Language Teachers’ Consultants and Japanese teachers of foreign language.

Despite the fact that they are not native English speakers, they were able to pursue with their duties as ALTs because of the learnings that they acquired from school and from the ‘real world’.

“Educating the students has always been my passion. It is a craft in which I can commit my entire professional life with; I know I can help them mold their character to become better citizens of the society,” Michiko-sensei asserts.

Inspired by the story of a king who had an arduous time finding and honoring the greatest person in his kingdom, until an old lady stood up before him, with eyes shining with the light of knowledge, understanding and love, that he realized that she was indeed the teacher of the men coveting for the title and the one worthy to be called, “The Greatest Person in the Kingdom”, it is no doubt that Ninfa-sensei and Michiko-sensei deserve the respect and admiration of their students, fellow senseis and everyone reading this piece.

Kudos to these empowered Filipino teachers who, although from from home, and with only a distant back-up by their own culture and mores, have managed with the best that they have, to enrich the minds and develop the abilities of their Japanese students in speaking and understanding the English language, with ease and confidence. And in the process, these students learn about other peoples, other races, other cultures, and thereby know that the world is only a global village. “It takes the whole village to raise a child.” (An old African adage)

Mabuhay ka, Babaeng Filipina!
*published in the January '08 issue of "Education", Philippine Digest*

'Kapamilya' Stars Rock Japan (Part 2)

It was a wintry cold night turned fiery as the stars of the teleserye,“Pangarap na Bituin” together with the ultimate hearththrob Sam Milby heated up Kawasaki Kyouiku-Bunka Kaikan last November 24.
Following the huge success of the launching of TFCko last March through “Kapamilya Invades Japan: The Dream Concert Tour 2007”, ABS-CBN Global has once again brought to Japan its roster of talents to entertain hundreds of TFCko subscribers and guests via “Yokoso Kapamilya: The ABS-CBN Housewarming Party”.

The stars of “Pangarap na Bituin” which include Jericho Rosales who played “Terrence”, Rica Peralejo as “Sapphire”, Maja Salvador as “Ruby”, Jay-R Siaboc as “Jeffrey” and Pooh as “Papa Bern” in the hit teleserye, delighted the audience with their lively performances.
Reel life sweethearts Maja Salvador and Jay-R Siaboc kicked off the show with their bubbly rave of the popular dance craze, “Kembot”. They also rendered a duet and solo performances that wowed and captivated the audience.

Fast rising comedian Pooh sent the crowd into howls of laughter as he delivered his funny antics and staged a stand-up comedy while singing “How DidYou Know?” and “Sway”.
The equally-talented and ever beautiful Rica Peralejo, she, with the ravishing figure and milk-white complexion, also showcased her singing and dancing prowess on stage. Besides all that dazzle and jazz, Rica is also brainy and intelligent as proven by her passing the tests to enter Ateneo University for a creative writing course. Hunk actor and singer Jericho Rosales serenaded the audience with his own renditions of “Pangako Sa’yo”, “Makita Kang Muli”, and “Pangarap naBituin”, theme songs of the teleseryes which he starred in. He also crooned, showing his smooth and suave good looks to great advantage, and danced (can he dance!) to popular Pinoy songs which made the crowd crave for more.

Straight from the airport, the ultimate heartthrob and KDDI endorser, Sam Milby, arrived almost breathless (but his college boy handsomeness still unruffled) on stage, and without missing a beat, sang “Right Here Waiting”and his own versions of “My Girl” and “Maging Sino Ka Man”. No wonder why countless girls go gaga over him!
After their solo acts, they all gathered on stage in singing “Pinoy Ako”and “Sikat ang Pinoy”. They made us proud of being a Pinoy!

In closing, ABS-CBN Global AVP and Head of Manila Operations Jeffrey Remigio expressed his gratitude to all the TFCko subscribers here in Japan and hoped that everyone could experience the station’s Christmas ID, “One Country, One Family, One Christmas”.
Gifts and giveaways were given to lucky guests from the audience, afterwards. The same show was also held at Osaka Business Park Enkei Hall the following day. The event was presented by ABS-CBN Global and KDDI in partnership with the Philippine Consulate General in Osaka-Kobe.
*published in the January '08 issue of "Concert", Philippine Digest*
*photos by Florenda Corpuz*

Wednesday, 30 July 2008

When Stars Fall

Once you’re a showbiz celebrity, you can easily get your way to politics. Popularidad. Ayon sa maraming kritiko, ito lamang ang tanging dahilan kung bakit nailuluklok sa panunungkulan sa pamahalaan ang mga aktor at aktres ng pinilakang-tabing.

“Popularity is an advantage but it also has its downside. Our advantage is that people know a lot about us but the disadvantage is that our mistakes are magnified and noticed,” saad naman ng isang actress turned politician.

Kung ating babalikan, bago ang dekada saisenta (60’s), ang tanging aktor na matagumpay na naihalal sa public office ay ang sikat na matinee idol na si Rogelio dela Rosa bilang senador noong 1957. Makalipas ang apat na taon na panunungkulan, siya’y kumandidato bilang independent candidate para pangulo kalaban sina re-electionist Carlos P. Garcia ng Nacionalista Party at top-notch lawyer-congressman Diosdado Macapagal ng Liberal Party. Ngunit ilang araw bago ang eleksyon, umatras sa laban si dela Rosa dahil sa kakulangan ng pondo at makinarya at pagbibigay daan na rin sa ambisyon ng kanyang bayaw at kababatang si Macapagal na siyang nanalong presidente.

Makalipas ang tatlumpung taon, muling binuhay ni Joseph ‘Erap’ Estrada ang naging papel ni dela Rosa sa senado nang siya ay maging senador noong 1987, matapos ang mahabang panunungkulan sa bayan ng San Juan bilang alkalde. Naging bise-presidente at presidente ng Pilipinas, nakita natin ang pagbagsak ng political career ni Erap. Ngunit sa kabila nito, siya at hindi si dela Rosa ang naging modelo ng mga artistang sumabak sa teatro ng pulitika.

Hindi rin makakalimutan ang naging kapalaran ng Hari ng Pelikulang Pilipino, ang pumanaw na si Fernando Poe Jr. nang siya ay kumandidato para pangulo noong 2004. Si ‘Da King’ ang naging pinakamahigpit nakatunggali ni PGMA. Samu’t saring kontrobersiya sa pulitika at maging sa showbiz industry ang naglabasan na naging dahilan din ng pagkakahati-hati ng mga artista dahil sa magkakaibang pananaw.

Sa pag-usad ng mga taon, patuloy na dumami ang bilang ng mga artistang naghangad magkaroon ng top-billing sa public office. Ang iba ay nabigyan ng pagkakataon samantalang ang iba nama’y hanggang pag-asa na lamang. Kabilang sa listahan ay sina Ramon Revilla Sr., Tito Sotto, Lito Lapid, Bong Revilla Jr., Jinggoy Estrada, Vilma Santos, Aiko Melendez, Dan Fernandez, Teri Onor, Herbert Bautista, Marjorie Barreto, Joey Marquez, Alma Moreno, AnjoYllana, Lani Mercado, Rey Malonzo, Cita Astals, Isko Moreno, Robert Ortega, Lou Veloso, Richard Gomez, Cesar Montano, Victor Wood, Imelda Papin, Gary Estrada, Roderick Paulate, Rudy Fernandez, Tirso Cruz III, Elizabeth Oropesa, Cristina Gonzales, Lani Mercado, Philip Salvador, Aga Muhlach, Andrew E., Jestoni Alarcon, Arnel Ignacio, Diether Ocampo, Kuh Ledesma, Jeffrey Santos, Dan Fernandez, Nadia Montenegro at Christopher de Leon.

Hanggang sa katatapos na national at local elections noong Mayo, dumagsa pa rin ang bilang ng mga artistang kumandidato. Ngunit majority sa kanila ay hindi nabigyan ng katuparan ang kanilang mga pangarap. Ito ba ay isang patunay na wala nang kinang ang mga bituin na kanilang taglay?

Sa tuwina’y kinukuwestiyon ang kakayahan ng isang artista na magsilbi sa taong-bayan. Ngunit kung ating pagbabatayan ang kwalipikasyon ng COMELEC na nagsasabing, “Any individual can run for public office for as long as he or she can read and write, is a Filipino citizen, and is a resident of the area where he or she hopes to get elected,” masasabing legally qualified ang mga artista para sa isang elective post.

Ang mga artista ay mamamayan din ng Pilipinas nanararapat na maging bahagi sa pagbuo ng bansa. Katulad ng ordinaryong tao, mayroon din silang responsibilidad bilang isang Pilipino.

“The arts and media are the transmitters of culture. Artists play an important and unique role in the transformation of culture that is responsive to the need of the people towards a truly independent and progressive Philippine nation,” sabi nga ng isang cultural activist.

Nararapat ba nating ipagkatiwala ang ating hinaharap samga iniidolo nating movie at TV personalities? Kung ang kanila bang prinsipyo ay iyong sa interes ng nakararaming Pilipino at kung kapakanan ng bansa at ikabubuti nito ang kanilang mithiin, bakit hindi? Hindi dapat magkaroon ng diskriminasyon laban sa mga artistang nagnanais maglingkod sa bayan. Ating pagbasehan ang kanilang kwalipikasyon at track record. Hangga’t nararamdaman nila na may kakayahan silang ibahagi ang kanilang mga sarili para sa kapakanan ng bansa at ng taong-bayan, let’s give them a fair chance!

*published in the July '07 issue of "Beyond the Horizon", Philippine Digest*

Portrait of an Actor

Versatile. Ito ang pinaka-angkop na salita para ilarawan ang isang Joel Torre. Bilang isang premyadong aktor, TV director, businessman, nature lover, asawa at ama, tunay na kahanga-hanga ang versatility na kanyang taglay.

Halos hindi mabilang na pelikula at soap opera na ang nagawa na ni Joel. Nagsimula ang kanyang acting career noong siya’y pitong taong gulang pa lamang. Mula sa pagiging stage at theater actor, nabigyan ng break sa pelikula si Joel nang siya’y gumanap na bida sa tinaguriang landmark for Philippine Cinema, ang “Oro Plata Mata” noong 1982 sa direksyon ng batikang direktor na si Peque Gallaga. Dito nakilala si Joel dahil sa kanyang mahusay na pagganap bilang lead role. Umani ang pelikula ng grand prize sa Metro Manila Film Festival, best director award sa Belgium Film Festival at best screenplay sa Hong Kong Film Festival. Ito ang naging hudyat sa patuloy na pag-usbong ng kanyang acting career na pinatunayan pa ng makatanggap siya ng best supporting actor awards mula sa FAMAS para sa kanyang pagganap sa pelikulang “Mumbaki” noong 1997, Gawad Urian para sa pelikulang “Bayaning Third World” noong 2000, best actor awards naman mula sa Cinemanila International Film Festival 2001 at Gawad Urian noong 2002, kapwa sa kanyang natatanging pagganap sa pelikulang “Batang West Side”.

Para sa aktor, ang bawat papel na kanyang ginagampanan ay nagkakaroon ng bahagi sa kanyang pagkatao kung saan ang kanyang pagkatao ay nagiging bahago rin nito. Ang lahat ng kanyang natutuhan ay iniaakma niya sa mga nadidiskubre sa buhay at sa hangganan ng kanyang kakayahan bilang aktor.

Astute Businessman
Alam ni Joel na ang kasikatan sa showbiz industry ay hindi permanente at walang katiyakan, minsan nasa itaas, minsan nasa ibaba. As they say in Show Business, “You are only as good as your last film”. Kung kaya’t pinasok na rin niya ang pagnenegosyo. Itinayo niya ang JT Manukan Grille sa Quezon City kung saan ang specialty ay Chicken Inasal, sikat na pagkain sa Bacolod, ang kanyang native city.

Nature Lover and Advocate
Lingid sa kaalaman ng karamihan, si Joel ay isang anti-coal advocate, Greenpeace volunteer at DENR spokesperson. Katulad ng pagmamahal at dedikasyon bilang aktor at direktor sa teatro, pelikula at telebisyon, ganun din ang ipinapakitang concern ni Joel sa pagsuporta sa mga programang pang-kalikasan tulad ng Green Highways Philippines ng DENR kung saan sila ay nagtanim ng milyong mga puno. Ilang taon na din niyang sinusuportahan ang Greenpeace Climate and Energy Campaign na naglalayong magkaroon ng massive switch to clean, renewable energy para mapigilan ang climate change. Sa katunayan, naging spokesperson din si Joel ng Greenpeace Flagship Rainbow Warrior sa Bacolod kung saan nanawagan siya sa kanyang mga kababayan na patuloy na kondenahin ang paggamit ng coal at i-promote ang renewable energy sa Negros Occidental.

Caring Family Man
Biniyayaan ng dalawang anak si Joel at ang kanyang non-showbiz wife na si Christy Azcona. College sweethearts sila ng kanyang maybahay at magkasama sa mga pagtatanghal sa entablado at teatro noong kabataan nila. Labing-walong taon na silang kasal at halos tatlumpung-taon na ang kanilang pagsasama mula nang sila ay naging magkasintahan na patuloy namang nagiging matatag sa pag-usad ng panahon.

Proud Bacolodian
Ipinanganak si Joel noong June 19, 1961 sa Bacolod City, makalipas ang isandaang taon matapos isilang si Jose Rizal. Dahil sa parehong buwan at araw ng kapanganakan sa pambansang bayani, Jose Rizalino ang ipinangalan sa kanya ng kanyang mga magulang. Tunay na anak ng Bacolod si Joel. Dito siya nagkaisip, lumaki at nagtapos ng pag-aaral. Kumuha siya ng mga kursong Marketing at Mass Communication sa De La Salle University, one of the most prestigious places of learning in the Visayas.

On the Movie “Abong”
Kamakailan ay nagtungo si Joel dito sa Japan para i-promote ang Fil-Jap film na “Abong” na kanyang pinagbibidahan sa direksyon ni Koji Imaizumi.

“I was very happy when Koji asked me to play the lead role of “Abong”. It was a very unusual script and it’s the kind of role you have to grow into. I have done lots of films, but this is one special film for me because of the content. It’s a small-budgeted film but with a very big story and wider impact.”

Ayon sa aktor, ang pelikulang ito ay punung-puno ng aral kung saan ang sinumang makapanood ay mapapag-isip sa kung ano ba ang mahalaga sa buhay ng tao.

Joel’s Mindspeak
Unlike several actors that we know, walang balak si Joel na sumabak sa political arena. Para sa kanya, maaari pa rin siyang makatulong sa kanyang kapwa sa pamamagitan ng mga non-government organizations at isa pa’y masaya na siya sa paggawa ng mga pelikula at pamamahala sa kanyang restaurant.

Nang siya’y tanungin sa kasalukuyang kalagayan ng showbiz industry, hindi niya ito direktang binigyan ng kasagutan, sa halip ay sinabi na lamang niya na kung noon ay 250 na pelikula ang nagagawa sa loob ng isang taon, ngayon ay hindi na ito umaabot sa 40. Ngunit ayon sa aktor, may pag-asa pa, kung patuloy na lalabanan ang movie piracy at muling gagawa ng mga de-kalibreng pelikula at mga digital at independent films na usong trend ngayon sa Pilipinas.

Kung susumahin lahat ng pelikulang kanyang nagawa at mga tropeo’t parangal na kanyang nakamit, masasabing very successful na si Joel sa kanyang karera.

"Success for me is relevant. I’d still want to direct my own films in the near future."

*cover story for the June '07 issue of Philippine Digest*

Saturday, 26 July 2008

An Exhilirating Undoukai Experience

It was a fun and exciting day for the teachers, parents and especially the students of Asahi Higashi Shogakko and Shiba Hinotsume Shogakko as they held their annual undoukai last June 7.

Jeremy Vader Kurane, Grade 4, Shintaro Amano, Grade 4, Satoru Watanabe, Grade 2, and Nahid Caguimbay, Grade 1, all of Japanese fathers and Filipino mothers, were among the exuberant faces in the crowd who really enjoyed this undoukai experience. Competition is alive and well even among school kids. Also, it was bonding time in a grand scale for mothers and children!
Mothers Jovy Amano and Jackie Watanabe yelled their hearts out in cheering for their kids' performance. You'd think that mothers ran the races and played in the games, too, at the rate they shouted, yelled and jumped up and down.

"Mas maganda at mas masaya ang undoukai ngayon kesa noong nakaraang taon," said breathless Jovy.

"Parang katulad din ito sa atin sa Pilipinas na may sports fest, nakakatuwa," Jackie expressed in delight.

Relays, rope pulling, pyramids and dance presentations were some of the episodes in this event. A nutritious and satisfying "o-bento" was part and parcel of the undoukai.


Undoukai or "exercise meet" is a common happening and required regimen of Japanese education. It is a yearly, traditional event wherein team spirit and sportsmanship among the students are given emphasis and free rein.Undoubtedly, a fitting time for parents to show support for and participate in their children's education.


*published in the July '08 issue of "Education", Philippine Digest Magazine*
*photos by Florenda Corpuz*